biographyUpon being released from his contract with Goldwyn in 1948, Cochran went back to Broadway. After appearing in the Broadway show Diamond Lil with Mae West, he signed with Warner Bros. in 1949 and returned to Hollywood. His film career fared better at the new studio, with Cochran landing leading roles in such film noir classics as The Damned Don't Cry (1950; with Joan Crawford), Highway 301 (1950; with Virginia Grey), and Tomorrow Is Another Day (1951; with Ruth Roman). Warner Bros. also cast him as the heavy in a number of solid westerns, including Dallas (1950; with Gary Cooper, Ruth Roman, and Barbara Payton) and Back to God's Country (1953; with Rock Hudson and Hugh O'Brian). With the end of his Warner Bros. contract in 1953, Cochran started his own production company, Robert Alexander Productions. He freelanced for other studios and began taking television roles. Cochran starred in a string of B movies throughout the later 1950s, including Carnival Story (1954; with George Nader); The Outcry (1957; produced by Robert Alexander Productions); and The Beat Generation (1959; with Mamie Van Doren and Fay Spain). |
the films of steve cochranBoston Blackie Booked on Suspicion (1945)The Chase (1946)From the independently produced film noir flick The Chase, released by United Artists, with Michele Morgan and Peter LorreThe Kid From Brooklyn (1946)With Virginia Mayo, Danny Kaye, and Vera-Ellen in The Kid From Brooklyn, one of Cochran's few comediesWhite Heat (1949)Highway 301 (1950)Tomorrow Is Another Day (1951)With Ruth Roman in the Warner Bros. noir thriller Tomorrow Is Another DayStorm Warning (1951)Back to God's Country (1953)Cochran was at his best playing villains. In Back to God's Country, he's after Peter Keith's (Rock Hudson) wife, Dolores (Marcia Henderson). LEFT: Promotional photo. CENTER A: Cochran puts the moves on Marcia Henderson. CENTER B and RIGHT: Rock Hudson exacts revenge on Steve CochranSlander (1957)I Mobster (1958)Quantrill's Raiders (1958)From the Warner Bros. war western Quantrill's Raiders with Leo Gordon and Glenn StrangeThe Beat Generation (1959)From The Beat Generation, one of two films Cochran starred in for producer Albert Zugsmith. LEFT: Behind-the-scenes photo. RIGHT: With Jackie CooganThe Big Operator (1959)With Mamie Van Doren and Mel Torme in Albert Zugsmith's The Big OperatorOf Love and Desire (1963)Mozambique (1965)later yearsCochran's film career began to cool in the early 1960s, but he stayed busy making numerous guest appearances in film and on such television programs as Route 66, The Untouchables, and Burke's Law and the British crime drama Mozambique (1964; with Hildegard Knef and Paul Hubschmid). In June 1965, Steve Cochran sailed to Guatemala with an all-girl crew to scout filming locations for his production company. Tragically, he developed a sudden acute lung infection and died a few days into the trip, on June 15, 1965, at the age of 48. His final film, the adult-themed drama Tell Me in the Sunlight (1965; with Shary Marshall), in which he directed, wrote, produced, and acted, was released posthumously. Cochran was survived by his estranged third wife, Jonna, and a daughter from his first marriage.Married briefly three times, Cochran's best-known wife was his second, actress Fay McKenzie, whom he married in 1946. Throughout his career, Cochran was known as quite the ladies man and was romantically linked with a number of actresses, including Mae West, Mamie Van Doren, Jayne Mansfield, Joan Crawford, and Merle Oberon. |
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